Who?
Ismini Samanidou trained as a weaver and is currently on the Crafts Council 'Next Move' scheme* based in the Design Centre at University College Falmouth. Ismini specialises in the use of a computer numerically controlled jacquard loom, a technology used widely in the mass production of textiles. Ismini's interest in this specialist piece of digital technology is as a tool for translating the abstract visual images of natural forms and textures that are the inspiration for her woven cloth. She uses the technology to produce one off pieces and small runs of bespoke fabrics for interiors.

Why?
"Through the Repeat and Variation project I wanted to explore the possibilities of combining digital weave, 3D digital production technologies and hand processes to develop a "hybrid" embossed fabric".

What?
"I needed to create a former for embossing my fabrics and after seeing the demonstrations on the Autonomatic demo day, I realised that I could translate elements of my weave imagery using digital milling and laser cutting technologies into low relief metal printing plates. I have embarked on a process of experimentation that is evolving from digital weave through computer numerically controlled machining, into hand weaving and hand printing and back into digital imaging.

I have explored weaving materials that have a memory such as cotton with wire or paper yarn, to make the embossed effect more sculptural, and used chenille to weave a velvety pile that can be crushed using digitally manufactured metal plates. I have also investigated combining traditional paper printing techniques, such as embossing and etching with my woven fabrics and milled formers.

This project is ongoing for me - I'm immersed in a creative process of experimentation and at this stage do not have any specific end product in mind. This is very exciting sometimes, and very frustrating at others, but there is a surprise element each time the roller press stops and a new textile is revealed."

Next?
"Through Repeat and Variation I have expanded my design thinking from two dimensional to exploring three dimensional. Being exposed to new production methods has been challenging and rewarding, and surprisingly has led me to rediscover my love for hand techniques. The integration of digital technologies with traditional hand process can create exciting results which I plan to explore further in the development of unique textile surfaces.

I am very grateful for the help and support I have received from both the 3D Digital Research Cluster and John Utting, Lecturer in printmaking at University College Falmouth."

*www.craftscouncil.org.uk/guide/nextmove